Please
Note: Due to program growth, please register early
to insure your inclusion on the course roster.
Most classes tend to fill to capacity well before
the start-date. Call 212 . 966 . 0300 (ext. 968)
or email johnc@nyaa.edu
Landscape Oil Painting for the Beginner
Fridays, 9-12 a.m. and/or Mondays, 9-12 a.m.
Instructor: James Albinson
This course offers a clear and thorough presentation
of the nuts and bolts of painting.
It covers everything the aspiring oil painter
needs to know from the ground up, including how
to set a palette, how to mix basic colors, how
to handle the brushes, how to plan a composition,
and, perhaps most important, how to develop a
sense of selectivity as to what to put in and
what to leave out. This is the perfect class for
anyone interested in learning the basics of oil
paint. Students are encouraged to work directly,
loosely, and quickly. All materials for this class
are provided.
Plein Air Painting
Saturdays, 10 a.m.-1 p.m.
Instructor: Dave Peikon
In this class students are presented with the
traditional method and tools for rapidly recording
the fleeting effects of light out of doors. The
instructor will demonstrate principles for creating
sound and convincing landscape paintings in the
open air, first by drawing the composition directly
on the canvas with paint, then massing in the
large shapes of color and values, bringing the
painting to a conclusion layer by layer. All of
the practical elements of landscape oil-painting
methods and materials will be discussed. The objective
is for students to produce one finished painting
per class.
Weeklong Plein-Air Workshops
June 16-20, July 14-18, and August 11-15
10 a.m.-1 p.m. and 2 p.m.-5 p.m.
Instructor: Bennett Vadnais
Each of these three weeklong workshops will focus
on the special painting conditions that artists
face in distinct locales. The first is a beach
or water scene, the second a shady or wooded area,
and the third is an open vista such as a vineyard.
The instructor will discuss the complex issues
that each type of scene presents and demonstrate
ways to tackle the problems at hand, using examples
from art history and from his own work. Students
can take one, two, or all three of these workshops
for the full day or for the half-day.
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