Materials List:
Supports:
Preferably 16X20 or 11x14 or 8x10 Canvas or Linen toned with a neutral gray or a color of the painter’s
preferences to about a value of 4 on a value scale of 1-10. This would include supports such as canvas
panels, stretched canvas, and wooden panels.
Shellac (Amber or Clear) on Good Paper (Stonehenge, 160lb or more hot press watercolor paper any
brand, Rives BFK,ect.)
Decent Palette with ample space for mixing
Paper Towels and Masking Tape
Paint Colors- Ultramarine Blue, Viridian, Cobalt Teal, Raw Umber, Burnt Sienna, Alizarin Crimson, Cad
Red., Yellow Ochre, Cad. Yellow, Titanium White
Brushes-will discuss
Mediums: No harsh Turpentine.
Linseed Oil with Gamsol
Liquin
Maroger’s Medium
Neo-Megilp
Extras:
Claude Mirror (will discuss)
Viewfinder
Suggested Reading:
The Painted Sketch: American Impressions From Nature 1830-1880 by Eleanor Jones Harvey
George Inness and the Visionary Landscape by Adrienne Baxter Bell
Landscape composition by Edgar Payne
The Poetic Vision: American Tonalism by Ralph Sessions
The Art of Arthur And Lucia Mathews by Harvey L. Jones, Arthur Frank Mathews, Lucia Kleinhans
Mathews
Corot in Italy by Peter Galassi
Frederic Church by John K. Howat
|
